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A report on the godfather a crime drama film by francis ford coppola

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What is The Godfather Effect? But it was seeing The Godfather trilogy that ultimately awakened Santopietro to his Italian roots and the immigrant experience.

Francis Ford Coppola Filmography

In his new book, The Godfather Effect, Santopietro looks at how the film saga portrays Italian-Americans and what that has meant for him, the film industry and the country. How did the idea for this book—part memoir, part study of The Godfather films—form? Like millions of other people around the world, I have been obsessed by The Godfather trilogy.

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I wanted to write about that. And, then, as I started writing about the films, I realized that I also wanted to write about other films depicting Italian-Americans and how horrible the stereotypes were. That made me start thinking about the journey that immigrants had made coming to America, the whys behind the journey and really the history of the mob.

I started thinking about my own life, and I thought, I want to make this, in part, a memoir because I am half-Italian and half-English. There was a pull, because I had a very Italian name growing up in a very Anglo world.

When I saw The Godfather: Part II, and when ten minutes into the film there is the image of the young Vito on board the ship coming to A report on the godfather a crime drama film by francis ford coppola and passing by the Statue of Liberty, all of a sudden the light bulb went off.

At age 13, I was in a private school running around wearing my uniform and school tie, so removed from his experience.

What is The Godfather Effect?

So it became not just a movie I loved as a movie lover, but a very personal depiction of the American journey for me. The film changed Hollywood because it finally changed the way Italians were depicted on film.

It made Italians seem like more fully realized people and not stereotypes. It was a film in Hollywood made by Italians about Italians.

Previously, it had not been Italians making the mobster films featuring Italian gangsters. I feel it helped Italianize American culture. They found that common ground. Then, of course, it changed me because when I saw what I felt was my grandfather on that ship coming to America, it was as if I was fully embracing my Italian-ness. I had never really felt Italian until then. And, to some extent, of course, it did. As you cite in the book, the Italic Institute of America released a report based on FBI statistics in 2009, stating that only 0.

The Godfather: Anatomy of a scene

And yet, according to a national Zogby poll, 74 percent of the American public believed that Italian-Americans have ties to the mob. Be honest, are you approaching this interview differently knowing my last name is Gambino? When author Tom Santopietro first saw The Godfather: Part II a report on the godfather a crime drama film by francis ford coppola saw the image of young Vito on board the ship coming to America, he thought of his grandfather's journey and how brave, at age 13, he was arriving here alone.

Photofest The Godfather Effect looks at how the film saga portrays Italian-Americans and what that has meant to Santopietro, the film industry and the country. Everett Collection Don Corleone, a man of such certainty that he created his own laws and took them into his own hands, appealed to a lot of people.

Photofest Patriarchy Italian-style, 1924. Santopietro's grandparents, Orazio and Maria, with, left to right, daughters Julia and Emma, niece Katherine, sons Andrew and his seven-year-old father, Olindo.

Courtesy of Tom Santopietro Santopietro wanted to write about his obsession with The Godfather trilogy but as he started writing he realized that he also wanted to write about other films depicting Italian-Americans and how horrible the stereotypes were.

Courtesy of Tom Santopietro Santopietro was 18 years old in 1972, when he saw the The Godfather in a theater in his hometown of Waterbury, Connecticut. Italian-Americans are very sensitive about their image in movies because it has traditionally been so negative, as either mobsters or rather simple-minded peasants who talk-a like-a this-a.

I think the vast majority of Italians have come to accept and actually embrace the film because I think the genius of the film, besides the fact that it is so beautifully shot and edited, is that these are mobsters doing terrible things, but permeating all of it is the sense of family and the sense of love.

Where I feel that is completely encapsulated is in the scene toward the end of the first film when Don Corleone [Marlon Brando] and Michael Corleone [Al Pacino] are in the garden. It is really the transfer of power from father to son. Don Corleone has that speech: They are talking about horrible deeds. They are talking about transferring mob power. The father is warning the son about who is going to betray him. What you remember is that it is a father expressing his love for his son, and vice versa.

That is what comes across in that crucial scene, and that is why I feel that overrides the stereotypical portrayal that others object to. I think it squashed the idea that Italians were uneducated and that Italians all spoke with heavy accents. Even though Michael is a gangster, you still see Michael as the one who went to college, pursued an education and that Italians made themselves a part of the New World. These were mobsters, but these were fully developed, real human beings.

These were not the organ grinder with his monkey or a completely illiterate gangster. It is an odd thing. They are so exotic and speak so terribly and wear such awful clothes. On a report on the godfather a crime drama film by francis ford coppola sociological level, we had been facing the twin discouragements of the Vietnam War and Watergate, so it spoke to this sense of disillusionment that really started to permeate American life at that time.

It was the rise a report on the godfather a crime drama film by francis ford coppola feminism. It was the era of black power. I think that struck a chord with a lot of people who felt so uncertain in this rapidly changing world. Don Corleone, a man of such certainty that he created his own laws and took them into his own hands, appealed to a a report on the godfather a crime drama film by francis ford coppola of people.

In the book, you share some behind-the-scenes stories about the filming of the movies, including interactions between the actors and the real-life mafia. What was the best story you dug up about them intermingling? That was really fun doing all the research on that.

We all love a good Hollywood story. And that James Caan made such a point of studying the mannerisms of all the mobsters who were hanging around the set. Now when I watch the films again, all the gestures, all the details, the hands, the hitching of the pants, the adjusting of the tie, it is all just so smartly observed.

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Can you give an example? Nobody used that before. He brought that into parlance. Here we are 40 years later and all the news reports of the mob now refer to so and so as the godfather of the Gambino crime family. I think these are phrases and terms that are not just used by the general public, but are also used by the FBI. So that is a powerful piece of art. I just love that. Do you think anything has changed in the way audiences today react to the movie? I think the biggest thing when you screen it today is that you realize it enfolds at a pace that allows you to get to know the characters so well.

The drama is usually artificial, heightened by both the participants and the editors for the dramatic purposes of television and hence are not real at all. They play to the worst stereotypes of Italian-American culture. The audience condescends to a report on the godfather a crime drama film by francis ford coppola characters and receives their pleasure in that manner.

It has been 100 years since the height of the immigrant and we're back where we started.