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A creative writing assignment on ts eliots the wasteland

Doing so allowed a poem to reach a creative writing assignment on ts eliots the wasteland new universal level of significance regardless of era, much like that of the mythic heroes of Greece and Medieval Europe.

More importantly, Eliot noted that making use of the mythical method allowed art to be possible in the epistemologically unstable modern world. Indeed, with the development of modernism came dramatic shifts in the aesthetic paradigm for both visual and literary artists; similar to the new aesthetic schools of cubism, futurism, and surrealism inspired by redefinitions of time and space by scientists and philosophers of the twentieth-century, Eliot argued that the mythical method provided poets with a technique to reconcile present ideas with older linear conceptions of narrative poetry.

The result is a disregard for time and a particular emphasis on place; each line represents a different event as Eliot arbitrarily manipulates mythic and historical references. Likewise, Stetson and the speaker are veterans both of Jutland the famous naval battle of World War I as indicated in the footnotes and Mylae, as referenced in the same line. Consider the following fragment taken from the opening passage: Reflecting light upon the table as The glitter of her jewels rose to meet it, From satin cases poured a creative writing assignment on ts eliots the wasteland rich profusion; In vials of ivory and coloured glass Unstoppered, lurked her strange synthetic perfumes 80—85.

The woman is consequently unimportant: Specifically, while in the late nineteenth and early twentieth-centuries scientists and philosophers believed that the subject the observer and object the observed entity were divided and made tangible by the mind, it seems Eliot is instead following in the spirit of the twentieth-century paradigm, juxtaposing the idealization and supposed order of subject-object relations with a modern world of randomness, fragmentation, and a creative writing assignment on ts eliots the wasteland, a breakdown of the assumed continuity of observer and observed.

Particularly convincing evidence is provided later in the canto as the conversation between the woman and the man shifts to the memory of her visitor: You ought to be ashamed, I said, to look so antique. Rather, if the women of the second canto are to be interpreted as metaphorically representative of the barren waste land, the impossibility of sexual fertility represents perpetuated aridity and the impossibility of rain.

This significance, however, is somewhat contrived when noting that critics are still unable to agree on a concrete interpretation of the poem.

Likewise, by deconstructing conventional poetry and supposed morality, Eliot is inviting his readers, those strong enough to leave behind requisite assumptions such as linear time and place, to this world. Specifically, Eliot is advocating transcending a chaotic modern world and ordering it as the individual sees fit, neither being constrained by traditional philosophy and science nor subscribing to a particular moral narrative.

An illustrating example of this paradox can be seen in mathematics. In Principia Mathematica, Newton acknowledged that mathematics rested on the manifestation of objects by the subject; numbers could only be identified with a relation, a means to make an abstraction tangible.

Cultural Influences of T.S. Eliot’s “The Waste Land”

Consequently, without a subject to interpret significance, and define with a relation, an object has no meaning; two objects correspondingly have no reality in themselves. One possible interpretation of the title, then, is that it symbolizes such epistemological stalemate and inability to reconcile present theory with traditional theories of knowledge and knowing Brooker and Bentley 64.

Examples of fertility myth and the barrenness of the waste land early in the poem: A major motivation for asceticism is the brevity of sexual intercourse. Rather, ascetics maintain that a a creative writing assignment on ts eliots the wasteland permanent relationship with God is achieved through traditional prayer, humility, and sacrifice Brooker and Bentley 124.

Works Cited

As in the third movement, rain may be interpreted as a symbol of restoration and rejuvenation. Modernism and the Limits of Interpretation. University of Massachusetts Press, 1990. Nude Descending a Staircase, No. Philadelphia Museum of Art. Farror, Straus, Giroux, 1945. Beyond Good and Evil: Prelude to a Philosophy of the Future.

A creative writing assignment on ts eliots the wasteland

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